‘New wave’ of Maldivian psychedelic art growing despite religious restrictions
22 Jul 2013, 3:06 PM
Donna Richardson
Handfuls of sand are sprinkled are carefully onto glass, and a single finger pokes the grains to magically morph them into a moving painting as an animation unfolds telling important narratives about the survival of a nation, against the soundtrack of haunting music.
The form of an old man takes shape, holding a cane in his hand. All around him a street scene of buildings is developed under the sleight of a single hand sprinkling sand, as the other creates perfectly drawn images. Behind the old man is a wall of people, and one of them is brandishing a Maldivian flag. Suddenly the music tempo changes. On the other side of the road a brace of helmeted police officers appear all brandishing riot shields and shaking their batons at the old man and the people. Suddenly, these images of the people are “wiped out” and in their place, a single menacing bulbous face appears.
All these scenes capture the moment that the Maldives was changed forever.
They were created by an enigmatic artist called Afzal Shaafiu Hasan, also known as Afu. He has decided to use his unique talent of drawing with sand to describe what he calls Baton Day, the day after the coup which destabilised the country and toppled the first democratically elected president the Maldives had seen in 30 years.
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