Culture

Comment: The inappropriate history of early Maldives

03 Nov 2011, 2:28 PM
Michael OShea
Maldives National Museum, a multi-million dollar gift from the Chinese government, had only just been opened in 2010 when a local visitor protested loudly to staff that its Buddhist era sculpture was a modern forgery. A few days before, this writer had difficulty finding a Maldivian official willing to be photographed in a museum storage room full of Buddhist/Hindu sculpture awaiting installation in the exhibition hall.
Maldivians are not alone in finding their history uncomfortable. Take for example the current efforts in some states of the USA to suppress and distort history textbooks concerning American slavery and the Civil War, or the refusal by many European Australians to accept the reality of the attempted genocide of the Aboriginal people. In the UK, the crucial story of Oliver Cromwell and the English Civil War has been sidelined, and the importance of slavery for the British empire and its aristocratic investors has only recently been acknowledged.
Responsibility for local ignorance of Maldives’ history lies in part with the country’s writers.  Indigenous historians such as Hassan Maniku and Naseema Mohamed have written detailed English accounts of Buddhist era Maldives based on historical records and archaeological research, but little of their work has been translated into Dhivehi. Excellent books about the origins of Maldivian culture by Clarence Maloney and Xavier Romero-Frias cannot be purchased in Maldives, and have not been translated for Dhivehi readers.
Only the British colonial administrator and archaeologist H. C. P. Bell has been given official recognition. This was due to Bell’s collaboration and friendship with Atirige Ibrahim Didi. He and his descendants and relatives basically ruled Maldives until the middle of the 20th century.

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